似不似-六人聯展
似，相似，近似。或說，像不像。人、事、物，以類聚。
類，類同或相近，不必同類，但可以是有交集的類族，似而不同。
「抽象」，與其說是「抽離外在物象」，不如說是「提煉物象」與「反映心象」的精髓而為。物象、心象之間，重點並非純然心象(抽象表現/低限幾何)，或物象的反應與背離；而是兩者之間的廣闊可能。
[Similarities: Co-exhibition of 6 Artists]
Similar, alike, or comparable. Similar people and things often find one another.
Groups may be identical or similar but they do not need to be the same. Those who are able to relate to each other stay together, but they can be different.
“Abstractionism” is not only extracting the elements of an object. It is the “refining” or “reflection” of the essence of an object. The focus of abstractionism is not only the meaning of the object (abstract presentation/low geometry) or the reaction to the object, it is the wide range of possibilities between the two.
王公澤 Gon-Jer Wang
宇宙的切片16-12
A Segment of The Universe16-12
炭筆、馬糞紙Charcoal on straw board
104x76cm
2016
王公澤的素描性繪畫系列，看似相近、卻又件件細微而演繹不同。歷年以炭筆、水彩、油彩的漸層、動態筆調，構成性的律動交織，演化成形、色、線之間的和諧與共振。他的創作自述曾言：承續了西方塞尚之後的現代性繪畫造型基調，也汲取東方水墨、自然映象的氣韻，進而聚焦到深層宗教情感的精神性氛圍，三者養分的蒙養，匯聚並體現東西藝術精粹，落實於「生命本土」和合後，以內韻與外律，彼此相激、交融後，所不斷演繹的內在場域。
Wang Gon-jer’s sketchings look similar but each piece contains minute differences and different interpretations. Over the years, his use of charcoal, water colors, and oil paints with his dynamic brushstrokes have created intertwined works that evolved the harmony between form, color, and lines. He once described his own work as inheriting the modern Western painting styles post Cézanne infused with the natural images of Eastern ink paintings. His works are focused on the spirituality of religious emotions. The three aspects converge and present the artistic essence of East and West, completing the sprit of “local life”. The inner essence and external aesthetics inspire and continue to re-inspire the settings within.
趙璐嘉 Lu- Chia Chao
意識無眠-5
Sleepless conscious-5
複合媒材、木板Mixed media on wood panel
40x30x2.5 cm
2022
趙璐嘉歷年來的多元抽象系列繪畫，從各類顏彩的造型實驗，到素材拼貼，一直以忠於當下環境與內心所感，而衍生調性與主題，多線接續又交替開展，彼此互生著豐富、駁雜的繪畫演化圖景；每段時期的表相看似斷層，其實於內裡基調之間，在「似與不似、類質又異質」相互激盪偶發的可能性，而貫穿、演化、相生。這是寧願「雜異不滯同」的當代繪畫創作精神。
Over the years, the diverse abstract paintings of Chao Lu-chia have experimented with different colors and paintings and incorporated collages of different materials. She has always been dedicated to the environment around her and her own emotions, from which she derives the tones and themes of her paintings. The different lines connect and intertwine with each other, creating a complex and rich evolution of her paintings. The appearance of each period of her work may look fragmented, but within the foundation of her work, the idea of “similar or dissimilar, the same yet different” inspire different possibilities between the paintings, permeating, evolving, and existing together through her works. This is the modern creative spirit of “differences existing together”.
陳建榮 Chien-Jung Chen
Aircraft 17
壓克力，綜合媒材，畫布
Acrylics, mixed media, canvas
112 x 162 x3 cm
2018
陳建榮的繪畫歷程與涉及物相元素相當繁多，但觀其演化脈絡，基本上是以繪畫歷程與過程的行動辯證—成為創作主軸。既不預設某種草圖式目標的執行，卻也利用草稿式的圖景，在每一當下情境中，自我累積並演繹成「相似又質變」的造相和圖層交疊。觀者若探詢於某一圖象看似的意義、象徵或隱喻，又會被不斷交疊的形、色、線構成，所消抹、塗鴉、改造。陳建榮是一位具備挑戰「視覺概念‧行為異變‧觀察判斷」三者的當代繪畫戰士。
Chen Chien-jung’s artistic journey and elements in his work are rather complex. By looking at the evolution of his work, it can be seen that his artistic journey and process are the central themes of his creativity. He plans his work before he creates but utilizes drafts of the scenes. In every setting, he creates overlapping images of “similar but different” creations through his experience. When the viewer explores the meaning, symbolism, or subtext of a certain image, it is continuously changed, distorted, or transformed by the overlapping shapes, colors, and lines. Chen Chien-jung is a modern art warrior that challenges “visual concepts, behavioral changes, and artistic observations”.
陳睿淵 Jui-Wen Tan
蒹Silver grass
壓克力、礦物顏料、壯紙
Acrylics, mineral pigments on paper
60 × 83.5 cm
2021
陳睿淵的繪畫風格相當多元演化。題材從自然風景、都會映像，到駁二駐村的在地素材裝置，皆有所成。從近年繪畫系列＜人造景物＞(2012~ )、＜蜃景＞(2013~ )、＜地誌集＞(2015~ )，可觀察到他在生活於都會與自然環境之間的感染，敏銳地捕捉到細膩而易逝的掠影式風光。這次展出的＜蜃景＞系列，似乎是海市蜃樓般，其實是從日常視景不斷將映象內化萃取的寫意景觀；也可說是沉澱日常景色後，內景的「寫實」。
Tan Jui-wen’s painting style is rather diverse and evolved. The topics of his work range from natural landscapes and urban settings to installations in Pier 2 made from local materials. From his recent series of paintings, “Manmade Landscapes” (2012), “Mirage” (2013), and “Topography Collection” (2015), his capturing of fleeting scenery from his life of living between cities and nature can be observed. In his “Mirage” series, he reflects the artistic aesthetics hidden within daily sights as if they were mirages. In other words, he extracts the “truth” behind everyday images.
陳劭彥 Shao-Yen Chen
紅花 Red Flower
壓克力、畫布 Acrylic on canvas
162x130cm
2021
陳劭彥的多元媒材繪畫，運用如：壓克力、炭筆、蠟筆、粉彩、油性筆、修正液、砂紙…的相疊肌理，藉由混合著有機、植物、生物型態群聚的抒情結構，心象般律動的變奏場域，和深富觸覺性的幽謐感，彷若不斷滋長、衍生；而產生如夢境氛圍般的心靈花園。
另組新實驗的＜肖像‧通緝犯＞系列，將極具社會性意義的外在人相，以交疊的烙燒、刮割痕跡，轉化成散溢著像是某種內在剖析的心象，流露未明的況味。陳劭彥正遊移在繪畫、攝影、影像感，持續探索造型內外之間的廣闊而曖昧的區域。
Chen Shao-yen’s paintings created from diverse materials. He combines acrylic, charcoal, crayons, pastels, ballpoint pens, correction fluid, and sand paper to create soothing structures that combines organic materials, plants, and living organisms. The ever-changing settings and the deeply tactile serenity seem to be continuously growing and evolving, creating a dream-like spiritual garden.
The new experimental “Portraits of the Wanted” series takes socially meaningful appearances and transforms them into introspections of their hearts through burning and scoring, revealing the unknown. Chen Shao-yen moves between painting, photography, and different images to continue exploring the relationship between what is within and without.
洪郁雯 Julia Hung
冬01 Winter01
彩漆銅線
H135 x W60 x D72 cm
2022
洪郁雯的創作，是此次展覽的唯一立體塑造型態的作品。不同於一般傳統雕塑具有骨架與構想草圖，正如她創作自述所言：「透過傳承自阿嬤的編織技法，將金屬媒材宛若作絲縷，以溫潤手感細密勾勒出有機、半透視的銅線雕塑，每件交纏、網狀般的作品，兀自生長出獨特的空間感，宛如自治的微型宇宙。藝術家以零構圖的直覺式創作，在看似沒有計劃性的選擇之下反覆編織，直至作品誕生。」
她利用彩漆銅線的細密編織，探索著具有似曾相識、彷彿記憶殘影的「既視感」造型。藉由外在物質的組織、疊構、扭轉的動態形式，引發極為幽微的內在宇宙圖景與心域。
Julia Hung’s artworks are presented as the only three-dimensional pieces of this exhibition. Different from conventional and traditional sculptures, she makes her art intuitively without consciously planning the overall shape and structure. As Hung describes, she “uses crocheting techniques which she learned at a young age from her grandmother to carefully weave stiff metal fibers into silky, organic forms. Her net-like creations, which radiate warmth from every knotted strand of bright, translucent copper, exude a unique sense of space, as if encapsulating an entire self-sufficient microcosm. At the outset of the creative process, she simply follows her instincts, without a desired form in mind, weaving over and over in seemingly random fashion until each piece comes to life”.
As she meticulously weaves enameled copper wire, she explores through a sensation of familiarity, as if these afterimages from her memories shape the creations of ‘Déjà Vu’. By maneuvering through the construction, reverberation, and reformation of external materials, Hung invokes her inner thoughts and mysterious cosmography into sculptural forms.
生生為物，同則不繼。這是自古的生命之道，與藝術規律。
這次《弎畫廊》的策展，是以當代繪畫的抽象性基調為基礎，多面向地精選六位不同世代創作者，將「異質相生」轉化成：
傾向於生活、都會或自然；有機的蘊意與象徵；以抒情抽象、多線動態演化多元脈絡—能於直觀與反思之間，交互創作。
Differences between living things create harmony and the perseverance of life. This has always been the way of life throughout history and the rule behind art.
This exhibition by “San Gallery” is based on the abstractionism of modern paintings. Creators from 6 different generations were carefully selected to turn “different objects co-existing” into creations that lean towards life, cities, and nature with organic meanings and symbolism. The artists use abstract imagery and dynamic lines to make diverse connections, observing and reflecting on the interactions between everything.
展名 | 似不似-六人聯展 Similarities: Co-exhibition of 6 Artists
參展藝術家 |
王公澤 Gon-Jer Wang
陳建榮 Chien-Jung Chen
趙璐嘉 Lu- Chia Chao
洪郁雯 Julia Hung
陳劭彥 Shao-Yen Chen
陳睿淵 Jui-Wen Tan
展覽 | 2023.2.4(六)~3.4(六)
開幕茶會暨講座 | 2022/02/11(六) 15:00-17:00 與談人 柯應平 x 參展藝術家